Tanya finds where AI helps your business. Senja makes the creative side. Bolu builds the apps and automations that keep it running.
AI consultationWhere AI helps your business 
Creative AIVideos, stories, lyric films 
Apps and automationTools that take the repeat work 
Three crew, three kinds of help. Each has a way of working, and each hands over to the others.
Tanya asks. Bolu builds. Senja decides if it’s pretty.
Explains and advises “Wait, back up. Why do you do it that way? No, really, I want to know.”
A clear picture of where AI fits in your business, and videos that explain hard things so people finish them.
You get Creates “Hm. Make it prettier. …Okay, that works.”
Creative AI generation with taste: stories, songs and brand films that look like one idea, not a pile of clips.
You get Builds “Um. Hi. I made you a… thing. It is only a small thing.”
AI-powered apps and workflow automation: the tools that take the repetitive work off your team.
You get
AI works when it solves a real problem. Tanya starts by finding yours.
“Wait, back up. Why that step?”
Pick a task first.
A short conversation about how your business really runs. Tanya maps the steps, marks where AI saves time or lifts quality, and tells you honestly where it would not help.
Tanya also makes the videos that teach. Map projections, latitude, how to read a chart: real archive photos, typewriter captions and a script a teacher can check.
See the classroom explainers
Creative AI generation with a point of view. Stories, songs and films in one look, and you approve that look before we make the rest.
“The frame is fine. The light is not. Again.”
An old telescope, a message in a bottle, a golden record. Each tells its own story in 45 seconds, in English and in Indonesian.
See how
Words that hit on the beat and get struck through when the line turns. Built from your track, vertical or widescreen.
See how
A 50-second film about one idea. Or a product photo, edited in front of the viewer.
See howPick the closest to your idea, or ask for a mix.
Crayon and ink. A space telescope tells its own story, one line at a time.
Real archive photos, cut out and taped to kraft paper, with a typewriter caption.
Generated stills and footage held together by one camera move and one narrator.
A product photo that changes under a cursor, one edit at a time.
A taped polaroid and a handwritten caption. The mint dot in the corner is in every video of the series.
Cream paper by day, navy by night, with lines that wobble like crayon on a page.
Under every video and every app there is plumbing. Bolu runs it. He is a little shy about it, but ask how it works and he will not stop.
“Um, can I show you the queue? It is really neat. Sorry.”
tail: waggingEach video is made on its own rented GPU machine that switches itself off when the job is done, under a spending cap.
Node-based workflows make the pictures and the movement. A good look is saved, so video 20 matches video 1.
Narration in English and Indonesian, checked automatically, with captions timed to the words.
A queue that waits for your yes, then posts to YouTube Shorts, Instagram Reels and TikTok at the hour you chose, and logs every link.
Tools made for your own work: a review screen, a dashboard, a script that ends the copy-and-paste. Tell Bolu what eats your week.
A video made by Bolu himself. He says it is not ready. We say it will be, and it will appear here.
Click through them, or leave it running. See the full workflow →
Who it is for, how long it runs, which languages, where it will be posted. We agree on that page before anything is drawn.
An example, not a real project.
It is written beat by beat, with timings that add up to the length. Every cut has to follow from the one before it: “and because of that…”.
An example, not a real project.
You approve the look and the narrator first, so video 20 matches video 1. Then everything is made at once, on cloud machines that delete themselves afterwards.
An example, not a real project.
You watch it, leave notes at the exact second, and mark it “needs changes” or “good to go”. People you invite see only the videos you share.
An example, not a real project.
A caption is written for each platform and the posts are queued. Every post is logged with its link, so you can see what went out and when.
An example, not a real project.
The pictures are the easy part now. What decides whether someone watches to the end is the script, the voice and the timing, so that is where we spend the time.
Before anything is drawn, the script has to pass Tanya’s test: can someone who has never heard it retell it in two sentences? If not, we rewrite it. It is the cheapest fix there is.
The Indonesian version is not a subtitle track. It has its own narrator, timed to the same picture, so the video fits both languages.
Charts, maps and counters are drawn by code, not generated. So when you say “shorten the pause at 0:07”, Bolu changes one number. Nothing is made again from scratch.
Crayon, scrapbook, cinematic, product demo. Each one was made for a real video.
You write “tighten this” at 0:19. We see exactly 0:19, and your note goes into the next version.
Every video waits for your approval, then goes out on the day and at the hour you picked.
Bolu built this screen, and it is what your reviewers use. Move the slider, write a note, give a verdict.
0:00 / 0:45 Notes in this demo stay in your browser.
Pick a format, the languages, where you will post and how many videos. You will see what that adds up to, and you can send it to the crew as a message.
You want AI in your business and are not sure where to start. Or you need a launch film, or a tool, and have no studio or developer on the payroll.
You have a syllabus and want videos students will watch to the end, with every claim traceable to a source.
You have a finished track. We build the video around the lyrics, so the words land on the beat.
Most people begin with a single pilot video, so they can see the look, hear the narrator and judge how we work. Then we agree what comes next.
One finished video in one language. You see the style, hear the narrator and judge the process before you spend more.
Ten to thirty videos with one look and one narrator, delivered together, in English, Indonesian or both.
Planning, making, reviewing and posting against a calendar. This is how we run the two storybook channels.
Start with Tanya. A talk about how your business runs comes first, and it can end with an app or an automation from Bolu instead of a video. Ask us about it.
Finished MP4 files: vertical 9:16 for Shorts, Reels and TikTok, widescreen 16:9 for films. The captions are burned in. You also get the script and, if you want it, a posting calendar with a caption written for each platform.
English and Indonesian, made from one script. For any other language we would first have to find a narrator voice we are happy with, so ask us.
It should not. Before we make the second video, you approve the look of the first: the colours, the line, the lettering and the narrator. After that we do not change them. Every frame on this page comes from a video we made.
No. We use image models where they help, for a face or a landscape. Everything that moves, every chart, caption and transition, is built in code. That is why “shorten the pause at 0:07” takes minutes, not a new render.
Yes. Videos wait in a queue until you approve them, then go to YouTube Shorts, Instagram Reels or TikTok at the time you chose. TikTok only accepts uploads as drafts, so you tap Publish in the app.
It depends on what you need: how many videos, how many languages, how many rounds of changes, or how big the tool is. Tell us what you need and we will send a quote. A single pilot video is the cheapest way to start.
Only the people you invite. Each reviewer sees the videos you share with them and nothing else, and nothing is posted before you approve it.
Send the idea in two lines. Tanya will tell you honestly what fits, and which of us would take it on.
