I write the script, make the pictures and the voice, and put the finished video in your posting queue. You watch every video before it goes anywhere. So far I have made more than 200, for two channels, a school series and a short film.
Each has its own page, with what you get, how I make it and a real example.
An old telescope, a message in a bottle, a golden record. Each tells its own story in 45 seconds, in English and in Indonesian.
See how
Map projections, latitude, how to read a chart. Real archive photos, typewriter captions and a script a teacher can check.
See how
Words that hit on the beat and get struck through when the line turns. Built from your track, vertical or widescreen.
See how
A 50-second film about one idea. Or a product photo, edited in front of the viewer.
See howThe pictures are the easy part now. What decides whether someone watches to the end is the script, the voice and the timing, so that is where I spend the time.
Before I draw anything, the script has to pass one test: can someone who has never heard it retell it in two sentences? If not, I rewrite it. It is the cheapest fix there is.
The Indonesian version is not a subtitle track. It has its own narrator, timed to the same picture, so the video fits both languages.
Charts, maps and counters are drawn by code, not generated. So when you say “shorten the pause at 0:07”, I change one number. Nothing is made again from scratch.
Crayon, scrapbook, cinematic, product demo. Each one was made for a real video.
You write “tighten this” at 0:19. I see exactly 0:19, and your note goes into the next version.
Every video waits for your approval, then goes out on the day and at the hour you picked.
Click through them, or leave it running. See the full workflow →
Who it is for, how long it runs, which languages, where it will be posted. We agree on that page before I draw anything.
An example, not a real project.
I write it beat by beat, with timings that add up to the length. Every cut has to follow from the one before it: “and because of that…”.
An example, not a real project.
You approve the look and the narrator first, so video 20 matches video 1. Then everything is made at once, on cloud machines that delete themselves afterwards.
An example, not a real project.
You watch it, leave notes at the exact second, and mark it “needs changes” or “good to go”. People you invite see only the videos you share.
An example, not a real project.
I write a caption for each platform and queue the posts. Every post is logged with its link, so you can see what went out and when.
An example, not a real project.
This is what your reviewers use. Move the slider, write a note, give a verdict.
0:00 / 0:45 Notes in this demo stay in your browser.
Pick the closest to your idea, or ask for a mix.
Crayon and ink. A space telescope tells its own story, one line at a time.
Real archive photos, cut out and taped to kraft paper, with a typewriter caption.
Generated stills and footage held together by one camera move and one narrator.
A product photo that changes under a cursor, one edit at a time.
A taped polaroid and a handwritten caption. The mint dot in the corner is in every video of the series.
Cream paper by day, navy by night, with lines that wobble like crayon on a page.
Pick a format, the languages, where you will post and how many videos. You will see what that adds up to, and you can send it to me as a message.
You need a launch film, or a steady stream of short ones, and you do not have a studio, an editor and a translator on the payroll.
You have a syllabus and want videos students will watch to the end, with every claim traceable to a source.
You have a finished track. I build the video around the lyrics, so the words land on the beat.
Most people begin with a single pilot video, so they can see the look, hear the narrator and judge how I work. Then we agree what comes next.
One finished video in one language. You see the style, hear the narrator and judge the process before you spend more.
Ten to thirty videos with one look and one narrator, delivered together, in English, Indonesian or both.
Planning, making, reviewing and posting against a calendar. This is how I run the two storybook channels.
Finished MP4 files: vertical 9:16 for Shorts, Reels and TikTok, widescreen 16:9 for films. The captions are burned in. You also get the script and, if you want it, a posting calendar with a caption written for each platform.
English and Indonesian, made from one script. For any other language I would first have to find a narrator voice I am happy with, so ask me.
It should not. Before I make the second video, you approve the look of the first: the colours, the line, the lettering and the narrator. After that I do not change them. Every frame on this page comes from a video I made.
No. I use image models where they help, for a face or a landscape. Everything that moves, every chart, caption and transition, is built in code. That is why “shorten the pause at 0:07” takes minutes, not a new render.
Yes. Videos wait in a queue until you approve them, then go to YouTube Shorts, Instagram Reels or TikTok at the time you chose. TikTok only accepts uploads as drafts, so you tap Publish in the app.
It depends on how many videos, how many languages and how many rounds of changes. Tell me what you need and I will send a quote. A single pilot video is the cheapest way to start.
Only the people you invite. Each reviewer sees the videos you share with them and nothing else, and nothing is posted before you approve it.
Send me the idea in two lines. I will tell you honestly whether it suits this kind of video, and what I would make.
