Hello, World
A fennec fox draws the first line of her first map, and the valley she is drawing looks up and waves. Thirteen shots, ten foxes auditioned, finished in two days.
A 30-second film made in two days, two storybook channels, 20 school videos, a three-minute lyric video, and the tools I built to make them.
A fennec fox draws the first line of her first map, and the valley she is drawing looks up and waves. Thirteen shots, ten foxes auditioned, finished in two days.
Two sister channels, one in English and one in Indonesian. 120 short stories in the bank, all in the same narrator’s voice, and a 30-day calendar of four posts a day on each channel.
A narrated 50-second film. Generated stills, generated video and archive photos, joined by a camera that never cuts and transitions that fold like paper.
20 short videos for Indonesian high-school students, made like a school scrapbook: real archive photos, red-and-white tape and a typewriter that types the explanation. Plus a longer format where a teacher solves a case.
Thirty seconds, vertical. A single photo of a mug, edited five times in front of the viewer: mask it, change it, make it bigger. No cuts.
None of these are for sale. They are why a video takes days, not weeks.
Where I keep every project and every video, and where reviewers leave notes at the exact second. Only people I invite can log in.
One list of every video, with the day, the platform and the caption. Nothing is posted until it is marked approved.
Each video is made on its own cloud machine, which deletes itself afterwards. A spending cap means a bad render cannot cost me a surprise.
An eleven-step checklist from story to final cut. Every character, place and prop is saved once and reused, so Pip looks the same in shot 1 and shot 6.
I make short videos and build the tools to make them quickly. So far that is two bilingual storybook channels, an Indonesian school series, a short film and a lyric video. teodolist studio is one person, which means you deal with the person who makes your video.